BEGIN:VCALENDAR
VERSION:2.0
PRODID:icalendar-ruby
CALSCALE:GREGORIAN
X-WR-CALNAME:Ron Jude: 12 Hz
X-WR-TIMEZONE:Pacific Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650609817
DTSTART;VALUE=DATE:20211211
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650611866
DTSTART;VALUE=DATE:20211212
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650646683
DTSTART;VALUE=DATE:20211213
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650648732
DTSTART;VALUE=DATE:20211214
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650650781
DTSTART;VALUE=DATE:20211215
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650652830
DTSTART;VALUE=DATE:20211216
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650654879
DTSTART;VALUE=DATE:20211217
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650656928
DTSTART;VALUE=DATE:20211218
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650658977
DTSTART;VALUE=DATE:20211219
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650661026
DTSTART;VALUE=DATE:20211220
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650663075
DTSTART;VALUE=DATE:20211221
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650665124
DTSTART;VALUE=DATE:20220105
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650667173
DTSTART;VALUE=DATE:20220106
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650668198
DTSTART;VALUE=DATE:20220107
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650670247
DTSTART;VALUE=DATE:20220108
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650672296
DTSTART;VALUE=DATE:20220109
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650674345
DTSTART;VALUE=DATE:20220110
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650676394
DTSTART;VALUE=DATE:20220111
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650678443
DTSTART;VALUE=DATE:20220112
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650680492
DTSTART;VALUE=DATE:20220113
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650682541
DTSTART;VALUE=DATE:20220114
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650684590
DTSTART;VALUE=DATE:20220115
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650686639
DTSTART;VALUE=DATE:20220116
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650688688
DTSTART;VALUE=DATE:20220117
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650690737
DTSTART;VALUE=DATE:20220118
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650692786
DTSTART;VALUE=DATE:20220119
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650694835
DTSTART;VALUE=DATE:20220120
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650695860
DTSTART;VALUE=DATE:20220121
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650697909
DTSTART;VALUE=DATE:20220122
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650700982
DTSTART;VALUE=DATE:20220123
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650704055
DTSTART;VALUE=DATE:20220124
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650706104
DTSTART;VALUE=DATE:20220125
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650707129
DTSTART;VALUE=DATE:20220126
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650709178
DTSTART;VALUE=DATE:20220127
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650711227
DTSTART;VALUE=DATE:20220128
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650713276
DTSTART;VALUE=DATE:20220129
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650715325
DTSTART;VALUE=DATE:20220130
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650717374
DTSTART;VALUE=DATE:20220131
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650719423
DTSTART;VALUE=DATE:20220201
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650721472
DTSTART;VALUE=DATE:20220202
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650723521
DTSTART;VALUE=DATE:20220203
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650725570
DTSTART;VALUE=DATE:20220204
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650726595
DTSTART;VALUE=DATE:20220205
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650728644
DTSTART;VALUE=DATE:20220206
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650730693
DTSTART;VALUE=DATE:20220207
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650733766
DTSTART;VALUE=DATE:20220208
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650734791
DTSTART;VALUE=DATE:20220209
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650737864
DTSTART;VALUE=DATE:20220210
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650739913
DTSTART;VALUE=DATE:20220211
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650740938
DTSTART;VALUE=DATE:20220212
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650742987
DTSTART;VALUE=DATE:20220213
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650745036
DTSTART;VALUE=DATE:20220214
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650747085
DTSTART;VALUE=DATE:20220215
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650749134
DTSTART;VALUE=DATE:20220216
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650751183
DTSTART;VALUE=DATE:20220217
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650753232
DTSTART;VALUE=DATE:20220218
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650755281
DTSTART;VALUE=DATE:20220219
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650756306
DTSTART;VALUE=DATE:20220220
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650758355
DTSTART;VALUE=DATE:20220221
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650760404
DTSTART;VALUE=DATE:20220222
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650762453
DTSTART;VALUE=DATE:20220223
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650764502
DTSTART;VALUE=DATE:20220224
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650766551
DTSTART;VALUE=DATE:20220225
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650768600
DTSTART;VALUE=DATE:20220226
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650770649
DTSTART;VALUE=DATE:20220227
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650772698
DTSTART;VALUE=DATE:20220228
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650774747
DTSTART;VALUE=DATE:20220301
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650775772
DTSTART;VALUE=DATE:20220302
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650777821
DTSTART;VALUE=DATE:20220303
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650779870
DTSTART;VALUE=DATE:20220304
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650781919
DTSTART;VALUE=DATE:20220305
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650783968
DTSTART;VALUE=DATE:20220306
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650786017
DTSTART;VALUE=DATE:20220307
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650787042
DTSTART;VALUE=DATE:20220308
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650789091
DTSTART;VALUE=DATE:20220309
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650791140
DTSTART;VALUE=DATE:20220310
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650793189
DTSTART;VALUE=DATE:20220311
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650795238
DTSTART;VALUE=DATE:20220312
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260520T102033Z
UID:tag:localist.com\,2008:EventInstance_38434650797287
DTSTART;VALUE=DATE:20220313
DESCRIPTION:When I saw Ron Jude’s photographs for the first time\, it too
 k me about 20 minutes to catch up to the scale of what he was doing\, and 
 the way he was using tonal values\, and destroying the notion of boundedne
 ss in a “work of art.” I felt small in what he was doing and overwhelm
 ed by something that wasn’t all that big. —Barry Lopez\n\nThe title of
  Ron Jude’s most recent project references the limits of human perceptio
 n—12 Hz marks the lowest threshold of human hearing\, suggesting the pow
 erful yet frequently imperceptible forces that shape the physical world\, 
 from plate tectonics to glacial erosion to the incomprehensibility of geol
 ogical time. Made in Oregon\, Hawaii\, and Iceland\, Jude’s imposing\, l
 arge-scale black-and-white photographs describe the raw materials of the p
 lanet and its systems—lava flows\, sculptural formations of welded tuff\
 , river and tidal currents\, and glacial valleys—that are the foundation
  of organic life. Stripped bare of our presence\, they allude to the immen
 se scale and veiled mechanics of phenomena that operate indifferent to hum
 an enterprise in a time of ecological and political crisis. Ron Jude's 12 
 Hz is the debut exhibition for the Barry Lopez Foundation\, which is creat
 ing an ethical relationshop with the land during an environmental crisis. 
 \n\nBy pivoting away from the myth of human centrality\, Jude’s work ask
 s how one depicts the indifference of the non-human world to our egocentri
 sm and folly without offering false comfort by looking away from our reckl
 essness? Is it possible to engage the landscape in a meaningful way withou
 t resorting to formal trivialities\, moralizing or personal narrative? 12 
 Hz establishes a simple premise: that change is constant\, whether we are 
 able to perceive it or not. In abandoning notions of sentiment and beauty 
 found in traditional landscape photography\, Ron Jude has created one of t
 he most forceful and challenging visual statements of the emergent century
 .\n\n12 Hz is accompanied by an audio installation by Joshua Bonnetta. Two
  interacting compositions combine field recordings and manipulated seismic
  recordings collected from an array of sensors that record vertical ground
  motion. Both sets of recordings are site-specific to Jude’s photographs
  and reveal similar imperceptible forces of the earth’s geological syste
 ms at work above and below the surface. Repeating on a loop\, Bonnetta’s
  compositions weave in and out\, rising and falling against Jude’s image
 s. The seismic data was generously provided by Leif Karlstrom of the Depar
 tment of Earth Sciences\, University of Oregon.\n\nRon Jude was born in Lo
 s Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene\
 , Oregon\, where he is a professor of art at the University of Oregon. His
  recent work explores the relationship between place\, memory\, and narrat
 ive through multiple approaches ranging from the use of appropriated image
 s to photographs that echo traditional documentary methodologies.\n\nJude 
 earned a BFA in studio art from Boise State University\, Boise\, Idaho\, i
 n 1988\, and an MFA from Louisiana State University\, Baton Rouge\, Louisi
 ana\, in 1992. His photographs have been widely exhibited nationally and i
 nternationally and are held in the permanent collections of the George Eas
 tman House\, Rochester\, NY\; the J. Paul Getty Museum\, Los Angeles\; the
  Museum of Fine Arts\, Houston\; and the San Francisco Museum of Modern Ar
 t\, among others. Jude is the author of ten books\, including Emmett (2010
 )\; Lick Creek Line (2012)\; Lago (2015)\; Nausea (2017)\; and\, most rece
 ntly\, 12Hz (2020). He has received grants or awards from Light Work\; San
  Francisco Camerawork\; the Aaron Siskind Foundation\; and the Friends of 
 Photography and was the recipient of a John Simon Guggenheim Memorial Foun
 dation Fellowship in 2019.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Ron Jude: 12 Hz
URL;VALUE=URI:https://calendar.uoregon.edu/event/ron_jude_12_hz
CATEGORIES:Arts & Culture
CATEGORIES:Exhibit
CATEGORIES:Art
END:VEVENT
END:VCALENDAR