BEGIN:VCALENDAR
VERSION:2.0
PRODID:icalendar-ruby
CALSCALE:GREGORIAN
X-WR-CALNAME:Mohau Modisakeng: Passage
X-WR-TIMEZONE:Pacific Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071402294
DTSTART:20190511T180000Z
DTEND:20190512T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071404136
DTSTART:20190512T180000Z
DTEND:20190513T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071403968
DTSTART:20190515T180000Z
DTEND:20190516T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071404840
DTSTART:20190516T180000Z
DTEND:20190517T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071405456
DTSTART:20190517T180000Z
DTEND:20190518T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071406361
DTSTART:20190518T180000Z
DTEND:20190519T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071405798
DTSTART:20190519T180000Z
DTEND:20190520T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071407000
DTSTART:20190522T180000Z
DTEND:20190523T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071407280
DTSTART:20190523T180000Z
DTEND:20190524T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071408026
DTSTART:20190524T180000Z
DTEND:20190525T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071407777
DTSTART:20190525T180000Z
DTEND:20190526T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071409639
DTSTART:20190526T180000Z
DTEND:20190527T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071409150
DTSTART:20190529T180000Z
DTEND:20190530T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071410002
DTSTART:20190530T180000Z
DTEND:20190531T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071410625
DTSTART:20190531T180000Z
DTEND:20190601T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071410678
DTSTART:20190601T180000Z
DTEND:20190602T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071411277
DTSTART:20190602T180000Z
DTEND:20190603T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071410842
DTSTART:20190605T180000Z
DTEND:20190606T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071412075
DTSTART:20190606T180000Z
DTEND:20190607T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071412072
DTSTART:20190607T180000Z
DTEND:20190608T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071413650
DTSTART:20190608T180000Z
DTEND:20190609T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071413704
DTSTART:20190609T180000Z
DTEND:20190610T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071414543
DTSTART:20190612T180000Z
DTEND:20190613T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071414176
DTSTART:20190613T180000Z
DTEND:20190614T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071415317
DTSTART:20190614T180000Z
DTEND:20190615T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071414852
DTSTART:20190615T180000Z
DTEND:20190616T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071415166
DTSTART:20190616T180000Z
DTEND:20190617T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071415836
DTSTART:20190617T180000Z
DTEND:20190618T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071416434
DTSTART:20190619T180000Z
DTEND:20190620T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071416864
DTSTART:20190620T180000Z
DTEND:20190621T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071417723
DTSTART:20190621T180000Z
DTEND:20190622T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071418701
DTSTART:20190622T180000Z
DTEND:20190623T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071418162
DTSTART:20190623T180000Z
DTEND:20190624T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071419345
DTSTART:20190626T180000Z
DTEND:20190627T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071418938
DTSTART:20190627T180000Z
DTEND:20190628T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071419917
DTSTART:20190628T180000Z
DTEND:20190629T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071420706
DTSTART:20190629T180000Z
DTEND:20190630T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071421467
DTSTART:20190630T180000Z
DTEND:20190701T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071421483
DTSTART:20190703T180000Z
DTEND:20190704T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071422200
DTSTART:20190705T180000Z
DTEND:20190706T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071422258
DTSTART:20190706T180000Z
DTEND:20190707T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071423966
DTSTART:20190707T180000Z
DTEND:20190708T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071423780
DTSTART:20190710T180000Z
DTEND:20190711T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071424869
DTSTART:20190711T180000Z
DTEND:20190712T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071424883
DTSTART:20190712T180000Z
DTEND:20190713T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071425055
DTSTART:20190713T180000Z
DTEND:20190714T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071425501
DTSTART:20190714T180000Z
DTEND:20190715T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071426250
DTSTART:20190717T180000Z
DTEND:20190718T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071426366
DTSTART:20190718T180000Z
DTEND:20190719T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071427609
DTSTART:20190719T180000Z
DTEND:20190720T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071427827
DTSTART:20190720T180000Z
DTEND:20190721T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071428651
DTSTART:20190721T180000Z
DTEND:20190722T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071428829
DTSTART:20190724T180000Z
DTEND:20190725T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071430062
DTSTART:20190725T180000Z
DTEND:20190726T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071429257
DTSTART:20190726T180000Z
DTEND:20190727T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071430949
DTSTART:20190727T180000Z
DTEND:20190728T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071430753
DTSTART:20190728T180000Z
DTEND:20190729T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071431320
DTSTART:20190731T180000Z
DTEND:20190801T030000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071431191
DTSTART:20190801T180000Z
DTEND:20190802T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071432618
DTSTART:20190802T180000Z
DTEND:20190803T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071432729
DTSTART:20190803T180000Z
DTEND:20190804T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261016T202726Z
UID:tag:localist.com\,2008:EventInstance_30204071432352
DTSTART:20190804T180000Z
DTEND:20190805T000000Z
DESCRIPTION:This three-channel video\, South Africa’s entry in the 2017 V
 enice Biennale\, meditates on slavery’s impact dismemberment of African 
 identity. In Setswana\, the experience of life is referred to as a “pass
 age.” The Setswana word for life\, botshelo\, means “to cross over\,
 ” and people are bafeti (voyagers)\, a recognition that the experience o
 f life is transient\; it has a beginning and an end\, as with any voyage.\
 n\nIn each of the artwork’s three projections\, we are confronted with a
  character – a woman with a hawk perched on her arm\, a young man in a T
 rilby hat\, and a woman wrapped in a Basotho blanket. The arched shape of 
 the boat frames each passenger with their heads pointed towards the prow\;
  each travels with a single possession. As the passengers lie motionless o
 n their backs looking up at the sky\, they perform a series of actions tha
 t move between gestures of struggle and resignation. A pool of water slowl
 y forms beneath their bodies. The rising water gradually floods the well o
 f the boat\, eventually leaving the passengers submerged while the boat sl
 owly sinks and eventually disappears. The ebb and flow of water\, as both 
 life giving and deadly\, symbolizes the many who have arrived or departed 
 from South Africa in trade\, as cargo or as transient bodies belonging to 
 no particular state.
GEO:44.044315;-123.076986
LOCATION:Jordan Schnitzer Museum of Art (JSMA)
SUMMARY:Mohau Modisakeng: Passage
URL;VALUE=URI:https://calendar.uoregon.edu/event/passage_by_mohau_modisaken
 g
CATEGORIES:Arts & Culture
CATEGORIES:Art
CATEGORIES:Exhibit
CATEGORIES:Diversity and Multiculturalism
END:VEVENT
END:VCALENDAR