“Applications of Falsetto in Eighteenth-Century Opera,” Cameron Steuart, University of Georgia

“Attribution, Style, and Idiom in the Naples L'homme armé Masses,” John Ahern, Princeton University

In-person attendees are required to follow the COVID-19 safety protocols of the University of Oregon and the School of Music and Dance

https://coronavirus.uoregon.edu/

https://music.uoregon.edu/breaking-news/uo-somd-covid-19-winter-2022-policies