Erin Hamilton explores the interplay of color, shape, and transparency to create tension between space and flatness. Drawing from ordinary moments of love, comfort, and connection, her work investigates how stripes can evoke both structure and softness.

Audrey McCarthy revives abandoned studio materials through ornamentation and assemblage. Her ceramic sculptures explore process, preciousness, and play as the forms imbue remnants of unassuming studio corners: the bottom of the sink, the back of the shelf, the side of the bucket. She dresses each piece with color, texture, and pattern as an homage to the depreciated materials.

Andrew Hunter is exploring the objectness of a painting as a machine, as they yield the power to modify motion at an incredibly slow rate which captures the mechanics of (a) reality and (b)etween others. The paintings then become devices for communicating between the spaces of light and movement, the unseen segments of time which exposes the other.