Skip to main content
Events Calendar

The University of Oregon is planning for a responsible and safe to return to in-person, on-campus instruction, in compliance and coordination with federal, state, and local orders and guidance. Visit the link below for more information.

COVID-19 Updates and Information


A Pause in the Action: Reflections on a Cinematic Gesture

Friday, January 15 at 2:00pm to 3:00pm

Virtual Event

CAS School of Languages and Global Studies presents: 

"A Pause in the Action: Reflections on a Cinematic Gesture"

Ken Calhoon, Prof. of German and Comparative Literature

This presentation is taken from Calhoon's recently completed book project, The Long Century’s Long Shadow: Weimar Cinema and the Romantic Modern. The focus of this study is German cinema of the 1920s and specifically the horizon, within that body of filmmaking, that opens onto Romanticism. This project attempts to link the cinema of Robert Wiene (Caligari), F. W Murnau (Nosferatu, The Last Laugh), Fritz Lang (Siegfried, Metropolis) and others to aesthetic practices, in literature and painting, that emerged around 1800, which in turn gave rise to the modernism of which “Expressionist” cinema was a part. Calhoon's lecture will concentrate on a gestural motíf characteristic of Romantic painting and its afterlife in the cinema generally. Literary works under discussion include F. Scott Fitzgerald’s The Great Gatsby, Thomas Mann’s Death in Venice, Joseph Conrad’s Heart of Darkness, and Novalis’ Heinrich von Ofterdingen.

Kenneth S. Calhoon received his Ph.D. in 1984 from the University of California, Irvine. He taught for two years at Haverford and Bryn Mawr colleges before joining Oregon’s faculty in 1987. He spent academic year 1994-95 at the University of Bonn as a Humboldt Fellow. He is author of Affecting Grace: Theater, Subject and the Shakespearean Paradox in German Literature from Lessing to Kleist (U of Toronto Press, 2013), Fatherland: Novalis, Freud, and the Discipline of Romance (Wayne State UP, 1992) and editor of Peripheral Visions: The Hidden Stages of Weimar Cinema (Wayne State UP, 2001). His articles and essays cover topics that range from eighteenth-century literature and thought through the early twentieth century, with Romanticism, film, intermedial aesthetics and psychoanalysis being particular foci.

For Zoom link, please contact David Wacks (wacks at uoregon dot edu)